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NINE VOLT AUDIO CHOPPED GUITARS (REASON REFILL)

£39.95 / US $74.50 (Including: VAT at 17.5%)

Nine Volt Audio Chopped Guitars for Reason / Stylus RMX

Chopped Guitars presents the sound of the six-string guitar in an entirely new and refreshing way. Taken from skillfully recorded studio sessions, each guitar part has been effected, broken into a multitude of pieces, and then carefully and creatively re-assembled. The result is a collection of over 400 loops that contain fresh melodic ideas with uniquely sliced and stuttered rhythms. Chopped Guitars will serve as a starting point for song ideas, add texture to an existing track, and most importantly, allow for a perfect blend of the organic and traditional with the electronic and modern.

Features

Chopped Guitars will serve as a starting point for song ideas, add texture to an existing track, and most importantly, allow for a perfect blend of the organic and traditional with the electronic and modern. This DVD features 100% copyright free loops from 92-124bpm in ACIDized Wav, Reason Refill and Rex2 formats. The DVD also contains the Stylus RMX format, with 99 suites and over 400 grooves. All loops recorded in 24-bit resolution with key and BPM listed.

Free Downloads

Click here to download the FREE Reason Refill Demo (3.4MB)
Click here to download the FREE Stylus RMX Demo (12.4MB)

Chopped Guitars - Product Review
(Sound on Sound, January 2006, 4 Stars)

"Chopped Guitars includes some atmospheric and melodic examples, but a lot of it is taken up with rhythmic material processed in a way reminiscent of libraries such as Spectrasonics Distorted Reality. Electric guitars are subjected to distortion and heavy filtering of all kinds, combined with reverb, rhythmic echoes, rotary speakers, and so on. If you think of the sequenced synth line at the start of The Who's 'Won't Get fooled Again', that will give you some idea of the general character and vibe of these grooves, and indeed many of the sounds are so heavily processed that they're barely recognizable as guitars at all.

In most instances, the sequences are based on a musical chord, scale, or short phrase, and there's normally only a choice of one or two chords, so your composition may need to be built to follow what's available rather than vice versa. Non-guitarists who would like to inject a more organic feel into their music should find this collection inspirational, and even guitar players will find sounds here that are difficult if not impossible to replicate themselves. Even though the sounds are extensively processed, they still retain a 'real' character that synthesized sounds often lack."

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